By Glen C. Strathy
It's a Wonderful Life, Frank Capra's 1945 fantasy film, may not have been a box office smash, but it is one of the most critically acclaimed films ever made, and a holiday classic.
The film's thematic message about the value of community building over personal ego gratification may have seemed a little out of fashion during the reign of the "Me Generation," but it is just as timely today as when the film was released.
At any rate, It's a Wonderful Life is a great story with a lot of emotional impact. So let's look at how the structure of the story creates this impact, using Dramatica as an analytic tool.
It's a Wonderful Life takes place one evening in the small town of Bedford Falls. A financial crisis erupts at the local, family-run Building & Loan where $8,000 goes missing just as the bank examiner arrives to check the books.
The Building & Loan's Executive Secretary, George Bailey, is totally innocent of wrongdoing. Nonetheless, the crisis could be the end of his career and his family's business. He may even go to jail.
Worse, this crisis is really the last straw for George, whose life has been filled with frustration and disappointment. To avoid what seems like the worst possible fate, he considers throwing himself off a bridge.
It's a Wonderful Life depicts how the community saves George Bailey by showing him that, despite his apparent failures, he has actually led a wonderful life and that ending it prematurely would be a terrible mistake. (The fantasy element comes into play when George's guardian angel, Clarence, gives George a glimpse of what the world would have been like without George's positive influence.)
Now let's examine the story in more depth using Dramatica...
Dramatica considers a complete story to contain four throughlines, corresponding to four perspectives. They are...
Each of these throughlines operates in a different domain (either Situation, Activity, Fixed Attitude, or Manipulation). Each has its own concern, theme, problem, etc.
Briefly, here's how the throughlines look in It's a Wonderful Life...
As I mentioned above, the story goal in It's a Wonderful Life is to prevent George Bailey's suicide -- to stop him from throwing away his future. This goal is shared by most characters in the story world, including his wife, Mary, his children, his guardian angel, Clarence, and George's many friends and relatives. The entire community comes to his aid at the end of the film by donating money (to make up for the missing $8,000).
At the same time, George isn't the only character in the film whose future comes into jeopardy.
In flashback, we learn about Mr. Gower, a pharmacist George worked for as a boy. In a moment of drunkenness and grief over the death of his son, Mr. Gower almost poisons a child by putting the wrong substance into some pills. Fortunately, George notices the mistake and stops him.
George also saves his little brother when he accidentally falls through the ice on a frozen pond -- an event which could have cut his future short.
Most importantly, during a run on the banks, many investors in the Building & Loan nearly make the mistake of selling their shares for half their value. George saves their investment with a combination of talk and donating some money of his own.
In other words, most of the characters in the story world experience crises which threaten their futures. And in each case, it takes someone else's help to get them through the crisis, to prevent them from making the wrong choice out of panic. In Dramatica terms, we can say the Overall throughline falls into the Domain of Situation. It has a Problem of losing Control, and the solution is Uncontrolled (that is, for the characters to surrender control and let someone else save them).
George Bailey is a man possessed of great ambition. Even as a boy, George dreams of leaving Bedford Falls, becoming an architect, seeing the world and generally having a more exciting life. He works out detailed plans to make these dreams happen (Problem of Logic).
However, every time George has a chance to begin the life of his dreams, a crisis arises and George feels compelled to postpone his plans to help others. As a result, he feels increasingly like a failure.
(In Dramatica terms, this makes him a Start character -- since he feels constant pressure for his real life to begin. The Crucial Element in his character that undermines this is his compulsion to Help others.)
The primary concern of the main character throughline is whether George can give up his pipe dreams and recognize that he has actually created a wonderful life for himself with his wife, children, and community. (In Dramatica terms, this is a concern of Changing One's Nature, which places this throughline in the domain of Manipulation.)
In contrast to George's drive to Help, the antagonist of the story, Henry F. Potter, has a Crucial Character Element of Hinder. Potter is a wealthy man, intent on increasing his wealth at the expense of everyone else in the town. He specializes in renting substandard homes for outrageous prices, and generally making it difficult for working people to fulfill the American Dream and enjoy a wonderful life of their own.
Fortunately, Potter does not have complete control over the housing market (Problem of Control). As long as the Building & Loan remains independent of him, people have a path to affordable home ownership and a middle-class life.
As impact character, Potter is the one person who actually encourages George to pursue his ambitions and give up his need to help others. Potter is an embodiment of the "me first" attitude. However it is not an example that is at all appealing, since Potter has no friends or family and is universally hated.
With a Concern of Obtaining as much power and wealth as possible, the impact character throughline falls into the Domain of Activity, and certainly Potter is viewed mainly through his unceasing activities to eliminate the Building & Loan as a threat to his goals.
Throughout It's a Wonderful Life, the relationship between George and Potter evolves as George's influence on the community of Bedford Falls grows and Potter's diminishes.
By default, the relationship throughline must be in the one remaining domain, Fixed Attitude, and this indeed seems to be the case. George and Potter have fixed but opposite attitudes towards lower income people. George believes they deserve to have a decent, if not a wonderful life, while Potter does not.
What's more, the crux of this relationship, which prevents these two characters from ever being anything other than enemies is that George's conscience will not allow it. (In Dramatica terms, this is a Problem of Conscience.)
According to Dramatica theory, each of the four throughlines in a complete story passes through four stages called signposts. These generally follow the pattern of a four-part dramatic arc...
setup --> complication --> move to crisis --> move to resolution
More specifically, Dramatica says that each throughline has its own four-stage arc (for a total of 16 signposts). The Dramatica software goes a step further by assigning recommended themes for the signposts of each domain, the order of which may be different for each story.
So let's look at how the throughlines progress in It's a Wonderful Life, starting with the Overall Throughline.
The progression of the overall throughline is best described using the W-plot. Each signpost represents an act, and each act begins and ends with a major turning point or driver.
Here's how the overall plot unfolds in It's a Wonderful Life...
With George contemplating suicide, his friends and relatives pray that he receives help.
Signpost 1: The Past
Hearing the prayers, the angels assign Clarence to act as George's guardian angel and have him begin a review of George's past so he can discover how to help him. (From here on, much of the story is told in flashback.) Clarence learns of George's early ambitions and his drive to help others.
George's father, Peter Bailey, dies of a stroke the year George's brother Harry graduates from high school.
Signpost 2: How Things are Changing
George had spent several years after high school saving money so he could take a trip to Europe and then start college. Instead, he settles his father's affairs and assumes his father's role as Executive Secretary of the Building & Loan. He sends his brother, Harry, to college instead.
On the day of George's wedding to Mary Hatch, a run on the banks threatens to bankrupt the Building & Loan.
Signpost 3: The Future
George saves the Building & Loan by donating his honeymoon cash to the business and convincing investors not to sell in a panic. His actions protect the future of many of the town's inhabitants.
George faces a crisis when his partner, his Uncle Billy, accidentally loses $8,000 of the Building & Loan's money, (it falls into Potter's hands) and Potter arranges to have George arrested for embezzling.
Signpost 4: The Present
Clarence transports George to a version of the present in which George has never been born -- one in which the entire town of Bedford Falls is worse off -- so George can see that, despite his frustrations, he is actually leading a wonderful life.
Everyone in the community who is grateful for the contribution George made to their lives donates money to make up for the missing $8,000.
Running parallel to the overall throughline, the main character throughline of Manipulation also passes through four signposts (one per act)...
Signpost 1: Developing a Plan
As a boy and later a teenager, George develops detailed plans in his mind for the wonderful life he wants to lead. As he tells his future wife, Mary Hatch...
"I know what I'm going to do tomorrow and the next day and the next year and the year after that. I'm shaking the dust of this crummy little town off my feet and I'm going to see the world. Italy, Greece, the Parthenon, the Colosseum. Then I'm coming back here and go to college and see what they know... and then I'm going to build things. I'm gonna build air fields. I'm gonna build skyscrapers a hundred stories high. I'm gonna build bridges a mile long..."
What he doesn't realize is that another plan is hatching -- Mary's plan to marry George and live in an old house in Bedford Falls.
Signpost 2: Conceiving an Idea
After Harry introduces the family to his new wife, George realizes, despite all his plans to the contrary, that he is really in love with Mary. She is the real passion in his life. So he asks her to marry him, following his heart rather than his head.
Signpost 3: Playing a Role
George fully embraces his role at the Building & Loan, helping many people buy their first home. He takes on the role of family man as Mary gives birth to several children. Barred from enlisting in the army, for medical reasons, George also steps into the role of a community leader during WWII. Unfortunately, these roles come at a cost. George sees his life falling far short of his former ambitions, especially when compared to his friend, Sam Wainwright. George's personal crisis is the moment when Clarence saves George from committing suicide by jumping off the bridge first, prompting George to save him. (I.e. George chooses to remain steadfast in his drive to help others.)
Signpost 4: Changing One's Nature
In the final act, George gives up his frustration over not achieving his dreams and realizes that he has been living a wonderful life all along. He stops hating the town of Bedford Falls and expresses his love for it and all its inhabitants.
Potter's influence on George and the story unfolds through these signposts...
Signpost 1: Understanding
George first sees Potter during an argument between Potter and George's father, Peter Bailey. Peter is asking Potter for a loan on behalf of the Building & Loan and Potter is resistant. Peter cannot understand why Potter is so stingy, since he has no family to spend his money on. However, to Potter, money is everything. Later, Peter gives George a valuable appraisal of Potter's character.
Signpost 2: Doing
George notices Potter taking advantage of the financial crisis to gain control of the bank and other institutions in the town for cheap. Potter saves most of the town, enriching himself in the process.
Signpost 3: Obtaining
Potter takes advantage of Uncle Billy's forgetfulness to obtain $8,000 of the Building & Loan's money, intentionally creating a crisis that he hopes will cause the business to collapse.
Signpost 4: Gathering Information
When George asks Potter for a loan (echoing his father's request from years ago), Potter grills George on his financial assets, using this information to gloat and belittle George.
Finally, we have the four signposts covering the arc of the relationship between George and Potter...
Signpost 1: Contemplation
The relationship is established when George (only a boy at the time) interrupts the argument between his father, Peter Bailey, and Potter. Potter considers Peter a failure because he is not wealthy and must beg for a business loan. George, however, defends his his father, saying he is the "biggest man in town," bigger than Potter, because he helps people. George is sent out of the room for his outburst.
Signpost 2: Memories
In act 2, the relationship deepens as George, now grown up, can hold his own against Potter.
George and Potter argue over the memory of Peter Bailey. While they both agree that Peter was no businessman, Potter claims that by helping working people buy homes through the Building & Loan, Peter was doing them a disservice, making them "A discontented, lazy rabble instead of a thrifty working class."
George disagrees, saying that the Building & Loan helps make people "better citizens, better customers." Moreover, George argues for his father's belief that there is a moral imperative to helping working people live in decent homes.
Signpost 3: Innermost Desires
Typically, in a relationship that is broken by the end of the story, the third act presents a "white moment," a crisis in which the relationship reaches its peak.
In It's a Wonderful Life, this occurs when Potter offers George a job. Potter's motive is to get George out of the Building & Loan so it can collapse and stop cutting into Potter's rental business. Potter offers George everything he ever wanted -- a big salary, the chance to travel, and all the ego gratification he always longed for. George almost accepts, but at the last second his conscience makes him reject the offer.
Signpost 4: Impulsive Responses
At their final meeting in Act 4, George begs Potter for a loan to cover the missing $8,000 and save the Building & Loan and his career. Potter refuses and, following his worst instincts, decides to swear out a warrant for George's arrest instead. In a panic, George runs out.
Arranging those 16 signposts in the correct order (all the Signpost 1s in Act 1, the Signpost 2s in Act 2, etc.) would give you a good outline of the entire story.
However, for those interested in how the 8 Basic Plot Elements, as described in the article "How to Create a Plot Outline in 8 Easy Steps," work in It's a Wonderful Life, I'll summarize them as well. You'll notice that Dramatica assigns them labels similar to many of the signposts.
1. Story Goal: The Future
The goal is to safeguard the futures of George Bailey and the community of Bedford Falls.
2. Consequence: Innermost Desires
The danger is that George's failure to fulfill his personal ambitions will cause him to commit suicide and curtail the dreams of everyone he would otherwise help.
3. Requirements: The Past
Clarence must review George's past to discover how to help him in his present crisis.
4. Forewarnings: Developing a Plan
George's plans for his life (travel, college, becoming an architect) both threaten the community (if they succeed) and are a danger to George if they fail.
George often fails to take advantage of opportunities that would benefit him financially. He rejects job offers from his friend Sam Wainwright as well as Potter. He ignores Sam's recommendation to invest in the Wainwright company. He donates his own money to the Building & Loan.
Dividends: Changing One's Nature/Becoming
While George becomes a family man and a pillar in the community, Bedford Falls changes from a community of slums to one of middle-class suburbia.
The crisis could be solved much more easily if Uncle Billy could remember what he did with the missing $8,000. Unfortunately, his memory is chronically poor.
Clarence must come to understand that the key to saving George is to present him with someone else who needs saving, so that George's drive to help others will kick in. (Clarence does this by jumping off the bridge and showing George what Bedford Falls would be like without him.)
The Outcome of It's a Wonderful Life is Success, since the future of the community, the Building & Loan, and George is saved by everyone's financial contributions. Harry declares George, "The richest man in town."
message to George is that "no man is a failure who has friends," and George is certainly surrounded by friends in the final scene. Thus, George's story ends with a Judgment of Good, proving he resolved his personal crisis successfully.
Obviously, Frank Capra and his team did not rely on Dramatica to write the script for It's a Wonderful Life. But the amazing thing about Dramatica theory and the accompanying software is how well it predicts the structure of great stories.
For a writer, Dramatica can provide a shortcut to developing a great plot by suggesting ways to fill in the missing gaps in a work-in-progress.
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