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Multiple Lead Characters

by Peggy Harris
(Apopka, FL, USA)




Question:Is there anywhere I can turn to learn how to write a novel that features an ensemble of three friends as lead characters? Or do I just have to decide once and for all that one of them is going to be the lead?

Answer: You actually have a lot of options here.

One is to make each of your 3 characters POV (point of view) characters. Essentially, you would have 3 stories running parallel through the book. Each character would be the main character of his/her own story. You would switch points of view, and POV characters, periodically in order to tell the next part of their story.

An example of this would be the Bartimaeus trilogy of novels which tell the interwoven stories of Bartimaeus, Nathanial, and Kitty (3 lead characters).

Of course, you could make just one or two of your characters POV characters, and the remaining one could be an impact character. The difference is that the reader does not see the story through the eyes of an impact character. Impact characters are "looked at" by the main or POV characters.

In many romance novels today, the heroine and the hero are both POV characters, and each is the impact character of the other's story. That may sound confusing, but it makes perfect sense if you want each of them to grow thanks to their relationship.

Finally, as you point out, you could make one character your main character and have the other two in supporting roles (as in Harry Potter, with Harry, Ron, and Hermione, or Spiderman with Peter, Harry, and MJ). This might mean having someone else as the impact character, or it might mean having two impact characters, in which case the main character must decide which of them is right in the end.

It depends entirely on whose point of view you feel is most important for the story. Whose big decision at the climax will determine the outcome? Do they all make important choices that resolve their inner conflicts, or just one of them?




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Multiple Lead Characters

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Deep POV
by: Peggy Harris

I attended a writers conference and got a critique of the first chapter of my novel. They said it should have written it in "deep point of view," or "limited first-person POV." It is a way of blending the best of first and third person POV. I googled "deep POV" and learned a lot about it online. Can you recommend any other resources to learn about it?

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Keep it simple.
by: Glen

The important thing to remember about POV is that the reader is privy to what your POV character feels, thinks, and perceives - and not to what other characters feel, think, or perceive. That is what makes the story personal. It allows the reader to imagine himself/herself in the main character's shoes and to empathize with him/her.

How deep or shallow you go is just a matter of how much of the POV character's inner world you want present to the reader.

Where most people go astray is not in how deep the perspective is but in breaking POV. For instance, if you start describing things your POV character couldn't possibly know - such as the thoughts of other characters or what's happening in the next building - without clearly switching to a new POV character - then the illusion, the intimacy with the reader will be damaged.

The simplest solution is to stick with one POV character almost exclusively. But, as I said above, you do have other options if you are confident you can keep your POV characters clearly delineated.

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thanks
by: Peggy Harris

Thank you, Glen. I am enjoying your site and truly appreciate the time you put into your personal responses.

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