My impact character turned into a 2nd main character

by Kina
(Schaumburg, IL)

Hi, so I'm writing a YA fantasy and I already went through the first 6 parts quite smoothly until it was time to choose my MC and her essential counter part. I already knew that I wanted to my protagonist to be the main character with 1st person POV, but I soon realized there were going to be many scenes where she would be separated from the impact character and the reader needs to know what's going on between both of them so I decided to switch between MC 1st pov and Impact 3rd limited pov. However this turns the impact character into a 2nd main character and with two MC's, that leaves no impact character! Would they both be each other's impact character or do I need another?

Answer: Simply put, you don't need another impact character. It's your choice.

It's quite common in romance novels to have two POV characters (the romantic leads), each acting as the other's impact character. Usually the female lead is the primary main character, since romances are written for a female readership.

However, the technique is also used in other genres.

Bear in mind that when you are in character A's POV, character A will be looking at character B, and what A observes B doing or saying will have an impact/influence on A. Similarly, when you are writing from character B's POV, B's perception of A's actions and words will influence B.

If you have two POV characters, you may decide to make one of them your primary main character. This will be the character whose decision (whether or not to change) determines the outcome at the crisis. In other words, while the second POV character may be the main character of his/her own story, that story may not be fully developed.

While it's tricky to do, you can also choose to make each POV character more or less equal. That is, both their change decisions would have determinative effect on the outcome of the story. For instance, if each of them learns from the other and changes in some way that allows both of them to make an essential contribution to the outcome.

If you go that route, I'd suggest you make each character's inner conflict revolve around a different quality. It might be a bit silly, for example, to have them simply switch sides of the same argument. (For instance, if character A chooses selflessness after seeing character B behave selflessly, while character B learns to be selfish after watching character A's selfishness.) To do so, each would somewhat undermine the other's decision.

The guideline is that if one character changes by adopting some quality he sees in the other, the other character will stay steadfast regarding that quality. On the other hand, if one character stays steadfast regarding a quality, the other character will change.

Comments for My impact character turned into a 2nd main character

Click here to add your own comments

Aug 15, 2013
Thank you
by: Kina

Thank you so much for clarifying that for me! It helped me a lot, especially the part where it'd be silly to have them both change. My theme is Trust vs suspicion, so it'll be insightful getting both perspectives.

Aug 19, 2014
This Happened to Me
by: Steven Holmes

This exact thing happened to me, except I was writing a Screenplay. I was doing up my plan when I realised that the impact character had become a second MC and that my main character had become the impact character for them.
Thanks for this advice. Its helped me heaps.

Click here to add your own comments

Join in and submit your own question/topic! It's easy to do. How? Simply click here to return to Character Invite.

 Step-by-Step Novel Planning Workbook

NEW! Make Money Writing Nonfiction Articles

"I've read more than fifty books on writing, writing novels, etc., but your website has the most useful and practical guidance. Now that I understand how a novel is structured, I will rewrite mine, confident that it will be a more interesting novel." - Lloyd Edwards

"Thanks to your "Create a Plot Outline in 8 Easy Steps," I was able to take a story that I simply just fooled around with and went willy nilly all over, into a clearly defined, intriguing battle where two characters fight to keep their relationship intact, and try to find a balance in control of themselves and their lives. Thanks to you, I'm not ashamed of the poor organization of my writing." - Nommanic Ragus

"I am so glad I found your site. It has helped me in so many ways, and has given me more confidence about myself and my work. Thank you for making this valuable resource, for me and my fellow writers. Perhaps you'll hear about me someday...I'll owe it to you." - Ruth, Milton, U.S.A.

"I never knew what to do with all the characters in my head, but since discovering Dramatica I am writing again in my spare time. Thank you for making this available. Yes, it is a bit complex, and it does take time, but I love it because it works." - Colin Shoeman

"I came across your website by chance. It is a plethora of knowledge, written in a simplistic way to help aspiring writers. I truly appreciate all of the information you have provided to help me successfully (relative term) write my novel. Thank you very much!" - Leo T. Rollins

"I can honestly say that this is the first website that is really helpful. You manage to answer complex questions in relatively short articles and with really intelligent answers. Thank you for taking the time to write these articles and sharing them so generously." - Chrystelle Nash

"...had no idea that a simple click would give me such a wealth of valuable information. The site not only offered extremely clear and helpful instructions but was a very enjoyable read as well. The education from your wonderful site has made me a better writer and your words have inspired me to get back to work on my novel. I wish to give you a heartfelt thanks for How to Write a Book Now, sir." -- Mike Chiero